
CONDUCTOR
Appreciated by musicians for his evident passion, coherent conducting and calm presence in rehearsal, Pascal is a conductor who values establishing a dialogue with performers in order to find the best solutions to fully harness their strengths. For him, conducting is an opportunity to build a close relationship between the repertoire, the musicians, and the audience, while embracing a responsibility he deeply cherishes. He finds in this role a dimension both demanding and magnificent—one that continually fuels his passion.
A lover of composers who stand at the crossroads of genres (Beethoven, Berlioz, Liszt, Bruckner, Shostakovich, Penderecki), he is particularly drawn to repertoire that demonstrates mastery of aesthetic codes paired with a bold desire to push their boundaries. His experience as a composer also gives him great responsiveness when preparing new works—especially during often limited rehearsal periods—allowing him to adapt quickly and demonstrate remarkable flexibility.
True to his modest origins, he has a remarkable ability to synthesize and demystify complex material, making him a widely appreciated communicator by audiences. His long period away from the musical world to study social sciences provided him with a unique background which he skillfully uses to foster genuine connection with listeners, establishing himself as an great mediator.
With 30 years of experience in the choral world, his vocal expertise is highly sought after. This has led him to work as a choir director with the Petits Chanteurs du Mont-Royal, Les Grands Ballets Canadiens, Voces Boreales, Pro Coro Canada, and the Growlers Choir. He has also helped position the Temps Fort choir as a leader in performing demanding repertoire (Max Reger, Claude Vivier), in addition to overseeing around twenty premieres by young composers.
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Repertoire
ANNÉE/YEAR | OEUVRE/WORK | COMPOSITEUR/COMPOSER |
|---|---|---|
(...-1899) | Piano Concerto | Schumann (Germany) |
Piano Concerto No. 3 | Beethoven (Austria) | |
Violin Concerto | Dvorak (Czech) | |
Hungarian Dance #1 | Brahms (Germany) | |
Ein Deutches Requiem | Brahms (Germany) | |
Meistersinger | Wagner (Germany) (arr. Siennicki) | |
Missa Di Gloria | Puccini (Italy) | |
The Barber of Seville Overture | Rossini (Italy) | |
Coriolanus Overture | Beethoven (Austria) | |
Egmont Overture | Beethoven (Austria) | |
Die Fledermaus Overture | Johan Strauss II (Austria) | |
Genoveva Overture | Schumann (Germany) | |
The Hebrides Overture | Mendelssohn (Austria) | |
Parsifal Overture | Wagner (Germany) | |
Poème | Ernest Chausson (France) | |
Prélude à l'après-midi d'un faune | Debussy (France) | |
Hungarian Rhapsody #3 (orig. #6) | Lizst (Hungary) | |
Requiem | Mozart (Austria) | |
Symphony No. 1 | Brahms (Germany) | |
Symphony No. 1 | Schumann (Germany) | |
Symphony No. 2 | Beethoven (Austria) | |
Symphony No. 2 | Brahms (Germany) | |
Symphony No. 3 | Beethoven (Austria) | |
Symphony No. 3 | Brahms (Germany) | |
Symphony No. 3 | Bruckner (Austria) | |
Symphony No. 4 | Beethoven (Austria) | |
Symphony No. 4 | Brahms (Germany) | |
Symphony No. 5 | Beethoven (Austria) | |
Symphony No. 5 | Tchaikovsky (Russia) | |
Symphony No. 7 | Beethoven (Austria) | |
Symphony No. 9 | Dvorak (Czech) | |
Symphony No. 35 | Mozart (Austria) | |
Symphonic Variations | Dvorak (Czech) | |
(1900-...) | Basileus | Pascal Germain-Berardi |
Cinq Miniatures orchestrales | Vincent Tardew (Québec) | |
Chasse Gallerie | Xavier Gagnon (Québec) | |
Choro de despedida | Gabriel Schwartz (Québec) | |
Concerto for horn | Penderecki (Poland) | |
Concerto for Orchestra | Bartok (Hungary) | |
Violin Concerto #1 | Shostakovich (Russia) | |
Cello Concerto #1 | Shostakovich (Russia) | |
Cello Concerto | Aulis Sallinen (Finland) | |
Danses de Galanta | Kodaly (Hungary) | |
Dances of Transylvania | Bartok (Hungary) | |
Symphonic Dances | Rachmaninoff (Russia) | |
D'un matin de printemps | Boulanger (France) | |
El Sombrero de tres picos | Manuel de Falla (Spain) | |
Grive solitaire | Gabo Champagne (Québec) | |
Gloria | Poulenc (France) | |
Jeux | Debussy (France) | |
Iberia | Debussy (France) | |
La Mer | Debussy (France) | |
Ma Mère l'Oye | Ravel (France) | |
The Miraculous Mandarin | Bartok (Hungary) | |
Obsession sous la neige | Antoine Binette Mercier (Québec) | |
The Firebird (suite) | Stravinsky (Russia) | |
Ombak | Hugo Levasseur-Déziel (Québec) | |
Petrushka | Stravinsky (Russia) | |
Poudrerie | Miguel Labbée (Québec) | |
Pulcinella | Stravinsky (Russia) | |
Raiders March | John Williams (USA) | |
The Rite of Spring | Stravinsky (Russia) | |
Studienstück No 2. | Pascal Bard (Québec) | |
Symphony No. 4 | Mahler (Austria) | |
Symphony No. 5 | Shostakovich (Russia) |